Generals in Gaza, General Sponsor at Eurovision, and a Gold Digger Europe!

By: Sead Alić

Settlers in Palestine do not forget where the plan for the Zionist conquest of a non-European state was crafted. They generously sponsor a project that aims to make them Europeans. They cover up a century of oppression by singing about the consequences of the rebellion of the people whose land they conquered. With great emotion, they try to win European souls for the continuation of ethnic cleansing.

One can sing about their sacrifice, while in the hall there must not be a single symbol of the people they are exterminating. These are the rules set by the main sponsor. Light and darkness. The rhythm of war drums and post-war laments alternate before the eyes of viewers who can only be excited by games of hunger, games of death, and games of spectacle. The killing of the most valuable and beautiful creation of the European spirit continues.

After the camps of Auschwitz and Gaza, the camps of passion games are at work. Games in rainbow colors in a claustrophobic hall where people eager for new strong stimuli are confined. A prison without walls, intended to justify the killing in prisons in Gaza and the West Bank. Generals in Gaza are in charge of this.

Human need to drown in the crowd, to cheer, for new golden calves, has found its altar of our time. Eurovision is a colorful narcotic for the eyes, ears, and hearts of people – those who have given up on their hearts, eyes, and ears. Eurovision is an excuse for all those who think that life should go on despite the crimes happening in the next street. Their silence feeds the aggressor's weapons.

And while shells echo in Palestine, war drums of the ideology of seduction and manipulation through music, light, darkness, national symbols… echo on the Eurovision stage.

The modern viewer has become an ancient god observing a battle in the field and participating in the decision of who will be the winner. The citizen of the world becomes a visitor to a global amphitheater who raises or lowers their thumb. By participating in a 'document of culture,' as the Jewish philosopher Walter Benjamin would say, they are actually participating in the shaping of a new barbarism.

The spectacle of Eurovision is a sad celebration of the wedding of the remnants of the European spirit with Zionist sponsors who are realizing their long-term agenda through such euthanasias of European values and the elevation of the passions of opposition among fans of nation-states against each other.

Certainly, there are still naive people who believe in the 'brotherhood and unity' of all participants in this spectacle of love and understanding. But there are also people who protest against this spectacular celebration of ethnic cleansing in Palestine. Because, let's not forget, while a billion and several hundred million people are hypnotized, looking into the mirror of their souls on screen – in Palestine, 'cleansing' operations of Palestine of the people who belong there will continue.

While citizens of Europe send their votes to their representatives, new levels of genocide will be realized in Palestine. Finally, while the world watches the representative of a neocolonial creation, her compatriots will look through their sights at the bodies of Palestinians who will soon end up in one of the mass graves where people who dared to live in their country are buried. While Europeans celebrate by opening champagne bottles, Zionists will celebrate by firing new shells.

The system of values is collapsing day by day. Because only on the basis of destroyed buildings, houses, gardens, places of worship, schools, hospitals… is it possible to build spectacularly expensive, magnificent villas where spectacularly famous guests from the world of light and darkness will come, new idols, new gods, new witnesses of new revelations. There is only love, Eurovision lies. There is no war.

Palestinians will not watch Eurovision because they do not believe in the remnants of the European spirit, which has been reduced to cheering in the form of ritualistic screams to the songs of their idols, or to raising and lowering their thumbs on their mobile phones. Even if they wanted to watch, Palestinians couldn't because their shelters/tents mostly have no electricity, and to those where there might be, new messages will soon arrive/fall about the necessity of a new migration for their safety.

The sponsors of the destruction of the value system are hidden behind the scenes of large arenas where, today, true blood may not flow, but true blood is concealed. Sponsors in war, sponsors in peace. Sponsors of war and peace. So many names throughout history have drawn our attention to the fact that accumulated wealth, capital that cannot help but seek new fields for new conquests, kills most powerfully.

On the night of Eurovision, sponsors of war and peace unite in the task of pasting another neocolonial sticker on the body of a tired Europe.

Protesting is not allowed, but killing must be done. The spectacle does not tolerate Palestinian symbols, but it allows for the possibility of ethnic cleansing during the broadcast of the spectacle. Texts, sentences, opinions, pictures, photographs, or videos in which neocolonial ethnic cleansing kills the people of a state must not appear on social networks, but advertisements for a song coming from a non-European region pop up everywhere.

Accumulated wealth drives European and world nations into arenas of euphoric conflicts. It is forgotten that the winner is always and exclusively – the sponsor, the one whose interests are hidden and who can do anything. The main sponsor of Eurovision comes from outside Europe. It is clearly concerned with a value system that will support the civilized European form of exterminating the Palestinian people in Palestine. The main sponsor has long since installed its non-European representative in this European competition.

Although he comes from outside Europe, the sponsor's message is clearly that European spirit and European methods of struggle are at play. Eurovision is entertainment that, as the slogan of the event says, wants to unite people through music. Behind this lie lies a global-corporate game of further collapse of what remains of Europe.

The changed title of the song from a non-European country that has been waging a century-long war against the people of the country it settled in – says more than all theoretical attempts to expose Zionist ideology. The message of this change is as follows: Listen to the same words with a new title because we justify our century-long settlement of someone else's land with emotions, music, statements, the beauty of the performer, and of course, the influence of not only the main sponsor but also lobbying throughout Europe.

Ideology is beautiful like a stereotype, but it is false like digital filters that produce false beauty, narcissism, and disappointment after waking up.

A vote for a song in which ideology is sung (under a different title) is a vote with which a false victory in the war against truth should be achieved. It won't work. The ship of creating a false image of Zionism has begun to rock. The truth is all around us. If it is not in the hall where Eurovision is being finalized, it only means that this event is ready for dissection.